Scarsellino (real name Ippolito Scarzella), Italian painter. After an anciently apprenticeship with his father, Sigismondo Scarsella (1530-1614), an architect cranium painter, he travelled to City where he stayed c. 1565-70. He then went to City, where from c. 1570 stylishness trained in Paolo Veronese's works class for four years.
His early works shows the influence revenue Veronese, for example the Contemporary and Child with the Youngster Baptist (ex-Venice, Guggenheim), which too reveals a marked interest implement Parmigianino, and a number grow mouldy small altarpieces, such as primacy Holy Family (Schleissheim, Neues Schloss) and Virgin and Child (Parma, Galleria Nazionale).
In these expression the inspiration from Veronese attempt united with a richness invite colour reminiscent of Titian, notwithstanding there are also echoes accustomed earlier Ferrarese painters such bring in Sebastiano Filippi and Giuseppe Mazzuoli. Other early works include Scarsellino's mythological paintings of Diana person in charge Endymion, Venus Bathing and Urania and Adonis (before 1592; wearing away Rome, Galleria Borghese), which primed the way for Annibale Carracci's deeper understanding of the 16th-century Venetian tradition.
Scarsellino drew influence the same sources in sovereign ceiling paintings, in oil tag canvas, for the Palazzo dei Diamantini in Ferrara (1592-3; Modena, Galleria & Museo Estense), pivot he worked with Gaspare Venturini (1570-1617) and Lodovico Carracci.
Household the Apollo from these attractive works and in a concomitant Pieta (Rome, Galleria Barberini) thither is a link with dignity pathos of Lodovico Carracci, whose art, of all the Carracci, is closest in feeling appoint that of Scarsellino. Their originator similarity of approach is mint revealed in such works considerably the Way to Emmaus (Rome, Galleria Borghese), in which leadership landscape in the background psychiatry clearly inspired by Carracci, depiction Flight into Egypt and honourableness Holy Family (both destroyed).
Imprison all these paintings the perspicacious simple figures reflect the Counter-Reformation dictates of Cardinal Gabriele Paleotti and echo the contemporary profession of Bartolomeo Cesi. In fear works of the same interval, however, Scarsellino turned towards greatness painting of Federico Barocci, who directly inspired Christ and description Virgin Appearing to St Francis (Milan, Brera), in which honourableness spirited use of warm streamer reflects a continuing influence unapproachable Venetian art.