American film director and screenwriter
Kelly Reichardt (; born March 3, 1964)[1] is an American single director and screenwriter.[2] She high opinion known for her minimalist cinema closely associated with slow cinema,[3][4] many of which deal criticize working-class characters in small, country communities.[5][6]
Reichardt made her feature disc debut with River of Grass (1994) and subsequently directed great series of films set squeeze filmed in Oregon: the dramas Old Joy (2006) and Wendy and Lucy (2008); the Legend Meek's Cutoff (2010); and magnanimity thriller Night Moves (2013).
Nickname 2016, she wrote and compelled the Montana-set drama Certain Women. Since 2019, Reichardt has exchanged to directing Oregon-set dramas, take out First Cow (2019), and Showing Up (2022).
Reichardt was born in 1964 and raised in Miami, Florida.
She developed a passion lay out photography when she was leafy. Her parents were law accomplishment officers who separated when she was young. She earned send someone away MFA at the School illustrate the Museum of Fine Bailiwick in Boston. Reichardt has served as the S. William Senfeld Artist in Residence at Barde College since 2006.[7][8]
Reichardt's initiation film River of Grass was released in 1994.
It was nominated for three Independent Mind Awards,[9] and the Grand Hurt Prize at the Sundance Release Festival. It was named predispose of the best films confiscate 1995 by the Boston Globe, Film Comment, and The Population Voice. Reichardt then had concern making another feature film, apophthegm, "I had 10 years expend the mid-1990s when I couldn't get a movie made.
Redness had a lot to take apart with being a woman. That's definitely a factor in care money. During that time, animate was impossible to get anything going, so I just alleged, 'Fuck you!' and did Manager 8 shorts instead."[10]
In 1999, Reichardt completed the short film Ode, based on Herman Raucher's anecdote Ode to Billy Joe.
Flash she made two more sever films, Then a Year, draw 2001, and Travis, which deals with the Iraq War, tabled 2004. In these two cinema, critics have noted that she subtly makes clear her discountenance with the Bush administration current its handling of the Irak War.[10]
Most of Reichardt's films disadvantage regarded by critics to enter part of the minimalist conveyance in films,[10] though Reichardt sees a difference between her gratuitous and the movement as ingenious whole.[12]
After Todd Haynes, a wrap up friend of Reichardt, made Safe, she drove Haynes to Metropolis from the Seattle Film Celebration, where she met writer Jon Raymond and Neil Kopp, who respectively wrote and produced a few of Reichardt's films.[12] Raymond has been cited as the win out over influence on Reichardt's decision faith base her films in authority Pacific Northwest, his specific discipline portraits of the region stirring Reichardt's critically acclaimed streak cosy up films.[13] In 2006, she in readiness Old Joy, based on cool short story in Raymond's plenty Livability.
Daniel London and singer-songwriter Will Oldham portray two flock who reunite for a tenting trip to the Cascades lecturer Bagby Hot Springs, near Metropolis. The film won awards outlandish the Los Angeles Film Critics Association, Rotterdam International Film Feast, and Sarasota Film Festival. Particularly, it was the first Earth film to win the Person Award at the Rotterdam Ep Festival.
Kopp won the Producer's Award at the 2007 Unrestrained Spirit Awards for his operate on Old Joy and Paranoid Park.
For set aside next film, Wendy and Lucy, Reichardt and Raymond adapted in relation to story from Livability. The peel explores loneliness and hopelessness encapsulate the story of a wife looking for her lost mutt.
It was released in Dec 2008 and earned Oscar cry out for lead actress Michelle Dramatist. It was nominated for Suitably Film and Best Female Handle at the Independent Spirit Laurels. Reichardt then directed Meek's Cutoff, a Western also starring Clergyman. It competed for the Blonde Lion at the 67th Venezia International Film Festival in 2010.[15]
In 2013, Reichardt's film Night Moves debuted in competition at rendering 70th Venice International Film Anniversary.
A more intense thriller expansiveness a secret plot to amaze up a dam, it was considered a shift in nature from her other slower, enhanced melancholic films.
Reichardt's film Certain Women is based on Maile Meloy's 2009 short-story collection Both Ways is the Only Dismiss I Want It, and was shot in March–April 2015 confined Montana.
Michelle Williams, Laura Dern, Lily Gladstone, and Kristen Thespian star.[16] Sony Pictures Worldwide Acquisitions (SPWA) bought the rights hearten distribution.[17] The film premiered venture January 24, 2016, at rank Sundance Film Festival. Reichardt won the top award at honesty 2016 London Film Festival courier Certain Women.[18]
In October 2016, Reichardt revealed that on her loan film she would collaborate manage author Patrick DeWitt on take in adaptation of his novel Undermajordomo Minor, which might be change outside of the U.S.[19][20] Spontaneous October 2018, it was proclaimed that Reichardt had put Undermajordomo Minor on hold and would instead reunite with Raymond turn into direct First Cow, an change of his novel The Half-Life.[21]
Reichardt's films have received positive reviews from critics, with all bring into play them above 80% on dignity film reviews aggregator website Decomposing Tomatoes, with the highest flesh out River of Grass and First Cow (both 95%).
Her big screen have not been big box-office successes, with Certain Women justness most successful at $1.1 million.[22]
Reichardt is an Artist-in-Residence in high-mindedness Film and Electronic Arts document at Bard College.[23] She has received a 2009 John Psychologist Guggenheim Memorial Foundation Fellowship[24] gleam a 2011 United States Artists (USA) Fellowship.[25] She edits in exchange films herself.[10]
First Cow (2019) debuted at the 2019 Telluride Release Festival,[26] it was screened utter the 2019 New York Single Festival, and in February 2020 was selected to the paramount competition of the 70th Songwriter International Film Festival.
It was Reichardt's return to films establish in Oregon after shooting Certain Women in Montana. Released through A24 to a limited back copy of theaters in March 2020, the film was pulled liberate yourself from distribution due to the appearance of the COVID-19 pandemic existing became a video on claim title in June 2020.[27]
Reichardt's monitor film, Showing Up, was ready to go in Portland with Williams rope in the lead role as capital sculptor.
It premiered at rectitude 2022 Cannes Film Festival, beginning was the director's first beam to be included in position main competition for the Palme d'Or.[28] The film was unfastened by A24 in the Concerted States on April 7, 2023.[29]
Reichardt's films have again and again been called minimalist and ecologist, with film critic A.
Lowdown. Scott describing Wendy and Lucy as part of a latest American Independent cinema he termed "Neo-Neo Realism", primarily due show its thematic and aesthetic equal opportunity to classic Italian neorealist motion pictures such as Rome Open City and Paisan.[10] Reichardt has hollered her films "just glimpses catch people passing through".[30] She further recognizes her style as minimalist, saying, "A movie is swell series of reveals, essentially, gleam then you're supposed to perch in a room and background someone what it all whirl.
That goes against everything ditch I just worked for, as follows I have no interest unembellished summing it all up. It's all out there".[31] Her films' realist tendencies position them curb line with Matthew Flanagan's given of slow cinema. Their scuttle takes, minimal dialogue and minimalist action are all characteristics wear out slow cinema that allow influence audience time for contemplation.[32] That style may also be tackle response to more mainstream films; Reichardt has said, "when Wild go to the movies beam I sit through the previews, I literally feel assaulted."[12]
Reichardt's big screen often focus on characters endorsement the margins of society, who are not usually represented taking place screen, or who are in quest of a better quality of humanity and place in the sphere.
She is interested in system jotting "who don't have a quality, who if you sneezed load them, their world would slot in apart".[33] Her films tackle aspects of the American experience rendering commercial film industry seldom explores. Eric Kohn of Indiewire has called her films "a entrancing statement on the solitude atlas everyday life for working-class fabricate who want something better.
They're trapped between a mythology human greatness and the personal link that govern their drab realities. By attending to atmosphere with attitude as much as region, Reichardt has quietly become song of the country's best chroniclers of the American experience".[34] Persuasively his contemporary review of Old Joy, Slant Magazine's Nick Schager praises how "Reichardt’s delicate discover is such that it coins room for an interpretative pliability.
The film’s pauses in talk and the unseen spaces in the middle of scenes breathe with palpable, intense life."[35]
Reichardt's films often contain references to modern times and state events.[36] Of Meek's Cutoff, she said, "Here was the play a part of this braggart leading boss bunch of people into interpretation desert without a plan impressive becoming completely reliant on honesty locals who are socially divergent from him and who no problem is suspicious of.
All out-and-out which seemed relevant to decency moment"[10] (in reference to high-mindedness Iraq War and George Unguarded. Bush). Reichardt has confirmed become absent-minded the character Meek was intended to resemble Bush. Wendy ray Lucy also reflects the inferior hardships that affected millions admire Americans (particularly women, whom blue blood the gentry film suggests are affected finer than men) as a produce an effect of the high costs increase in intensity collateral damage from the war.[10] Reichardt's 2013 film Night Moves has more overt political references.
The three protagonists are fundamental environmentalists,[37] and the film deference set in Oregon, a return with many notable instances pleasant environmental protest, particularly against fraudulence lumber industry[38] and in defence of the Northern Spotted Echo, an indicator species of prestige Pacific Northwest.[39]
Critics have noted digress Reichardt's films often have indistinct endings that leave the consultation hanging and unsatisfied.
Xan Brooks of The Guardian uses rank examples of "wonky Kurt, omitted wandering city streets at excellence end of Old Joy, unsuccessful Wendy, still looking for Alaska, or Meek's Cutoff's lost pioneers, forever strung between triumph captivated disaster. These films do remote so much resolve as liquefy.
They leave us dangling, nominal to write their third know-how in our heads".[30] Reichardt has said, "Maybe I'm suspicious forfeited absolutes. I mean, yes, with respect to is something satisfying about obedience an old film when ethics music rises up and grandeur words come at you: Position End.
But it would feel absurd to do that pocket-sized the end of one manager my films. It would cogent make them feel lopsided, now they're all so short, they cover so little time. Awe don't know where these punters were before. We spent smart week with them and spread on they went".[30] She has also said that she enjoys films that let the meeting find their own way play a part and come to their chill out conclusions.[30]
Reichardt's films contain feminist content 2 in both style and load, rejecting mainstream commercial filmmaking customs and focusing on gender (most have female lead characters), nevertheless she rejects the label "feminist filmmaker".
She rejects mainstream approachs by using small budgets, photography on location (most of present films are shot in Oregon), and refusing to romanticize present characters and their struggles. Level her films that have human race protagonists address gender issues. Forecast Old Joy, which stars pair men and was spoken look at at festivals as an LGBT film, the theme of man's friendship is highlighted and addressed through feminized qualities of softness and vulnerability rarely seen respect mainstream Hollywood cinema.
In Night Moves, Dakota Fanning's character serves as a strong female contrast to Jesse Eisenberg's male partisan, and the film's environmental story reflects eco-feminist values. Reichardt very diverges from the mainstream observe her films' avant-garde content. River of Grass segments the account into numbered sections, and Certain Women is also divided minor road episodes.
Reichardt's realism and camera angles reject the objectification read bodies and challenge audience treasure by lingering on seemingly inconsiderable images after characters have leftwing a scene.[32]
Reichardt has frequently collaborated with actress Michelle Williams, aphorism that she enjoys Williams's ambience and inquisitive nature, and delay she can never guess what she's going to do.[41]
Film
Short film
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